I’m an ardent fan of Ken Russell, yet I always considered “The Devils” to be a transgressive novelty: a voluptuous exercise in extreme blasphemy and extreme horror. No doubt: It’s both those things. Yet I didn’t think it was anything more than that. (For me, that was enough.) When the film came out, in 1971, […]
Ken Russell’s ‘The Devils’ Feels More Relevant Than It Did 55 Years Ago. That’s Because It’s About a World Gone Mad
I’m an ardent fan of Ken Russell, yet I always considered “The Devils” to be a transgressive novelty: a voluptuous exercise in extreme blasphemy and extreme horror. No doubt: It’s both those things. Yet I didn’t think it was anything…
This article was originally published by
Variety
and is republished here under license.
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