Paul McCartney is a master of the fake-out. The first feint around his new album, “The Boys of Dungeon Lane,” came when he released “Days We Left Behind” as the first single, an exceedingly gentle and wistful ballad that allowed for the possibility that the whole LP might be a collection of acoustic memory songs. […]
Paul McCartney Explores His Ever-Present Past in ‘The Boys of Dungeon Lane,’ a Delightful Return to Wings-Era Form: Album Review
Paul McCartney is a master of the fake-out. The first feint around his new album, “The Boys of Dungeon Lane,” came when he released “Days We Left Behind” as the first single, an exceedingly gentle and wistful ballad that allowed…
This article was originally published by
Variety
and is republished here under license.
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